The site is abandoned. "Abandoned industrial buildings are characterized by a fragile image which makes them unworthy"(Vigliocco 2013); however, they maintain quality and potentiality that can be explored by new solutions and strategies of intervention, maintaining latent energy that can be reactivated by new strategies of reuse.

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Why could the site be considered a wasteland? To refute the thesis that spontaneous vegetation is part only of ruins, I want to emphasize the presence of this type of nature, maintaining the high level of biodiversity that, as Matthew Gandy says, in the city is higher than anywhere else (Gandy 2018, 101). In this way it will develop a new layer that will not be totally distinguishable from the previous one and will bring homogeneity in two different urban areas straddling the road that has always been treated differently, giving voice to a nature that has permitted only to bring poetry to the ruins. It is “A hotch-potch of green blankets the outer grounds of ruins, gradually creeping into spaces where light and space permit growth, progressively blurring the distinctions between inside and outside.” (Edensor 2005, 43) 

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To have a higher perception of a space in which to move freely in order to create more continuity between inside and outside and transform an urban ruin in a public space, with some interventions built by the city and leased with a subsidy to local producers. In order to introduce the idea that a wasteland does not necessarily equal danger, the roof of the existing building will be removed. Additionally, as the roof has not been maintained and has fallen in at some points, it will be removed as to not endanger others. It will be reused to produce a sort of “path of history”, where now there is only an uncultivated and unused land, fenced and unused except to leave a meaningless space between the built environments. Some parts of the roof will be placed in the wasteland field on the other side of the street along the ways that pass in the middle of the field, that will become a green area introducing some paths, to tell anyone who uses this, what has been the past of this place and to produce recycled art. Everything returns to a public space as always been in the historical perspective. In order to maintain the idea inside-outside will be highlight a part of the processes that have brought this place from having a luxuriant nature that produced fruit to being destroyed in order to build industries that, like all things that man produces, at the end of its use, he disposes of it, in this case abandoning it and handing it over to nature that has reproduced on itself the effects of a romantic aesthetics of the ruins.

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“For many, ruins would seem to be dangerous places, and the fear related to such concerns preclude many from entering” (Edensor 2005, 17) and as a result, people don't like this kind of vegetation, they think it is just a disease bearer, like mold, but there are some examples where nature in all its forms and buildings coexist together. We see from the point of view of this restoration-preservation to reproduce what has been the natural cycle of vegetation and all the habitat around it so that an abandoned site is not intended as a place of wasteland, a hole in the city, but as a link between the opposite parts of the living world: living in the building, living in the open air.

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In order to maintain life within this site and not to forget its history, but to re-purpose it in a sustainable productive way, small structures to accommodate who take care of the site, will be built within this huge space formerly used as a factory.  A hybrid space in which to enhance nature as it comes, care for what's left of the old factory and preserve it. The inhabitants will be people who tend to cultivate spontaneous vegetation for herbs (Taraxacum officinale, hops, aromatic and medicinal herbs, etc.) to the old factory and the other plot and their buildings will be their laboratory, office and a showroom, where they would dry and process the herbs, experiment with them and sell products. The factory building is passing from private property to the city-owned, so leasing out small scale production could pay for the removal of the roof and it's relocation as well as paying for all requalification costs to make the place habitable. 

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Something of this kind cannot be sustained forever in time. I want to reflect the transience of nature in the transience of the built environment. “The botanical colonisation of derelict land and buildings is not a static process but changes over time depending upon the longevity of the abandoned site.” (Edensor 2005, 43) This place will be adaptable and flexible to changing needs over time, without forgetting the aesthetic beauty of abandonment: “…picturesque is therefore sought in ruin, and supposed to consist in decay. Whereas, even when so sought, it consists in the mere sublimity of the rents, or fractures, or stains, or vegetation, which assimilate the architecture with the work of Nature, and bestow upon it those circumstances of colour and form which are universally beloved by the eye of man”(Ruskin, 1849)